Art is Peace: Bridging Harmony Through Art

On March 21, 2025, the Bulgarian Music Society hosted a special spring concert at the Bulgarian Embassy in Washington, DC, entitled "Art is Peace." The concert captivated the audience with its depth and originality. Inspired performances by pianists Jeni Maneva and Ivo Kalchev created an immersive atmosphere, beautifully complemented by the artistic magic of Julia Tasheva, actress, puppeteer, and sand artist.

Actress Lilia Slavova enriched the experience with poetic recitations of works by Petrarca, Robert Burns, and Simona Assenova. The compelling interplay of music, poetry, and visual art established a profound dramaturgical connection among compositions by Bill Evans, Debussy, Prokofiev, Dobrinka Tabakova, and Schumann, reinforcing the universal notion that art stands as an antithesis to war and an enduring symbol of peace.

The concert emphasized art’s unique power to touch hearts, foster empathy, and open dialogues about a more peaceful world. The closing performances of Bill Evans’ "Peace Piece" and Jon Fosse's reading of "Art is Peace" left the audience deeply moved, with an emotional resonance that lingers long after the event has concluded.

"Art is Peace" reminded everyone present that the true purpose of art lies in transcending boundaries and creating a shared language of humanity.

March 22, 2025

Washington DC

Nelly Tsoneva/ Krassi Genov

A Musical Portrait of Bulgaria

On January 31, 2025, the Bulgarian Musical Society held its first concert of the year at the Embassy of Bulgaria in Washington, D.C. Staying true to its tradition—offering something for every musical taste—the event once again captivated the audience with a diverse program, rich atmosphere, and deep emotions.

Once again, the grand piano resounded in its full power, illuminated by the virtuoso performance of Georgi Lekov. The young Bulgarian pianist, possessing remarkable technique and profound musical sensitivity, drew from the keys a rich palette of sounds—from ethereal delicacy to thunderous expressiveness. Every tone, every nuance intertwined into a musical enchantment that mesmerized the hearts of those present.

The program was diverse yet deeply connected—like a conversation between the past and present of Bulgarian music. It featured works by Pancho Vladigerov, Lyubomir Pipkov, Marin Goleminov, Svetoslav Obretenov, as well as pieces by a newer generation of composers—Alexander Vladigerov, Krasimir Kyurchiyski, Milcho Leviev, Krasimir Taskov, Tsvetan Dobrev, and Yordan Goshev.

The audience was spellbound—the gentle breath of the Bulgarian mountains and murmuring rivers came alive in "Ruchenitsa" by Pancho Vladigerov; "Nani Mi, Nani, Damyancho" by Lyubomir Pipkov transported everyone into a nostalgic reverie; "Dilyano, Dilbero" by Alexander Vladigerov shimmered in its exquisite variations, while "Polegnala e Todora" by Krasimir Kyurchiyski resonated like a deep, meditative prayer. The evening reached its grand culmination with "Triumph of the Bells" by Vasil Kazandzhiev, whose majestic chimes provided a ceremonial and powerful finale to this extraordinary musical night.

Georgi Lekov masterfully wove folk intonations and contemporary harmonies, crafting a pianistic image of Bulgaria—a country of rhythm, light, and deep musical memory.

Currently, Georgi Lekov is a doctoral student and assistant at the University of Connecticut, residing in New York City. Dedicated to contemporary piano art, he has participated in prestigious international premieres in the USA, Canada, Europe, and Turkey and has won numerous competition awards in Bulgaria, Romania, Cyprus, and Belgium.

This piano recital in Washington will remain long in the hearts of those present—not only as a display of technical mastery but as an emotional journey through some of the most brilliant pages of Bulgarian musical culture.

It is no coincidence that Ivo Kalchev, the artistic director of the Bulgarian Musical Society, emphasized that the exhibition by Dilyana Kirova—featuring paintings inspired by Asen's Fortress, the Nestinari fire dancers, the men's ritual dance in Kalofer on Epiphany, and the grace of Bulgarian rhythmic gymnasts—complemented the musical evening with a sense of warmth, sensitivity, and the magic of Bulgarian art.

This evening was not just a concert but a celebration of Bulgarian culture—a synthesis of music, tradition, and art. A memory that will linger long in the souls of those who were there and experienced the beauty of Bulgarian piano music.

January 31, 2025

Nelly Tsoneva

Washington DC

Bulgarian Music Society Turns 15!

by Nelly Tsoneva/Krassi Genov

Artistic directors Ivo Kalchev and Jeni Maneva credit their success to teamwork. For them, music is not just a passion but a calling that guides the Bulgarian Music Society’s concert programs, repertoire selection, and collaborations with talented musicians.

From the Start

Fifteen years ago, as the vision was taking shape, Dr. Lazarov, a generous member of the Bulgarian diaspora, learned about our efforts to kickstart this project and suggested that concerts would take place at the Bulgarian Embassy, where people could come together and listen to music.

“However, the embassy lacked an instrument,” Kalchev recalls. “I offered to find a grand piano, and Dr. Lazarov generously agreed to help us cover the cost. I discovered a stunning seven-foot Kawai concert piano in Baltimore, and this piano became the cornerstone of our concerts since 2009.”

A Growing Community and Unique Identity

The early concerts quickly became a meeting point for the community, drawing large and enthusiastic crowds. “It wasn’t just about the music,” Kalchev says. “People wanted to meet other Bulgarians, socialize with the ambassador, and enjoy a glass of wine. Dr. Lazarov insisted that wine should always be part of the gatherings. Even after his passing, this tradition lives on as a tribute to his memory.”

Establishing a unique identity in Washington’s vibrant cultural scene was no small challenge. Yet the Bulgarian Music Society has thrived for 15 years, offering a tapestry of experiences with musicians, poets, artists, and groups from around the world. It delivers unique performances that resonate with the audience.

Jeni Maneva reflects on the Society's diverse audience: “What’s fascinating is that our audience is never the same. Each concert draws a mix of people, including many invited by the performers. We have a core group of Bulgarian attendees and a larger circle of supporters from all over DC!”

Kalchev adds: “Our audience is incredibly international, and our programs are just as diverse—classical works are essential, but we also feature many Bulgarian compositions. There’s a bit of everything: opera, operettas, Broadway hits, poetry, dance, and cross-genre collaborations. This variety ensures there’s something for everyone.”

Memorable Performances

Each concert feels personal and unique. The mix of genres—from classical and jazz to folk and Broadway—offers an enchanting musical experience. Kalchev recounts: “One of the highlights was when we combined classical music with folklore. Two bassoonists performed alongside a dancer interpreting Bulgarian folk traditions. This enchanting blend of classical music and folklore culminated in a lively Bulgarian horo dance, leaving the audience captivated. Such a fusion is rarely found elsewhere!”

Maneva reflects on another special moment: “We organized a concert at a modern church on Martin Luther King Boulevard. It looks like a library from the outside, but inside, it’s a stunning space. The program included an orchestra, a choir, and an organ performance. It was incredible—so many people came to watch!”

Over the years, the Bulgarian Music Society has organized more than 60 concerts featuring over 400 performers. Its repertoire includes iconic composers like Bach, Verdi, and Gershwin and Bulgarian greats like Pancho Vladigerov and Dobri Hristov. Performances often include unique elements, such as poetry recitals with piano accompaniment and digital sand art projected on-screen.

Kalchev notes: “These aren’t programs you’ll find in major concert halls. We marked the 100th anniversary of Boris Christoff with a concert by his student Genko Genchev and organized a remarkable performance by the legendary Theodosi Spassov. These original, unconventional programs set us apart.”

The Road Ahead

As the Society enters its 16th season, new plans and dreams are on the horizon. The aim is to continue offering a diverse array of programs that captivate audiences and foster a deep appreciation for music.

Kalchev concludes: “We strive to offer something for everyone’s taste. This blend of variety and inclusivity has been the key to our success. Our mix of genres—classical, folk, jazz, and more—is unique. We’re proud to create experiences that touch the hearts of our audience and bring them closer to the magic of music.”

The Bulgarian Music Society has become a cultural beacon, uniting people through music and building a prestigious reputation. Its success is a testament to the passion, creativity, and dedication of its artistic directors. Thanks to their unwavering dedication and vision, the Bulgarian Music Society will continue to inspire audiences and celebrate the universal power of music for generations to come.

The Songs of the Other

by Nelly Tsoneva/Krassi Genov

An unforgettable evening unfolded as the Bulgarian Music Society presented "The Songs of the Other," a concert celebrating the rich interplay of cultures and traditions. Featuring the captivating Duo Sildasan — mezzo-soprano Daniela Tosic and marimba virtuoso Sylvia Zakarian — the event was a testament to the universal power of music.

"This concert emphasizes our commitment to complete freedom of repertoire, intertwining cultures to explore the world of music," reflected Ivo Kalchev, the society’s artistic director.

The theme resonated deeply with the audience, as Ambassador Georgi Panayotov noted that the venue could barely accommodate the many admirers of polyphonic art.

Sylvia Zakarian, an Armenian born in Bulgaria, shared her perspective: "Our nations have long been connected through challenging historical moments. That is why our songs carry sadness, joy, longing, and a spirit of rebellion." She highlighted how Armenian songs have been preserved through the work of Komitas Vardapet, included in UNESCO’s Memory of the World Register, and through composers like Alan Hovhannes Chakmakjian, whose handwritten scores the duo discovered at the Armenian Cultural Foundation.

Daniela Tosic opined that we often ask the question, "Whose song is this?" as explored in Adela Peeva's film. Although a song is inseparable from the identity of a particular nation, it often transcends the borders of one Balkan country or another, as our joys and sorrows are so alike. "We share not only physical resemblances but also a similar soulfulness."

The program featured Neapolitan songs by Pasquale Tassone and Nikola Radan’s evocative "Byzantine Blue," capturing the despair and hope of those fleeing Constantinople in 1493.

In the presence of composer George Tantchev, Sylvia Zakarian performed a solo marimba concert piece — a virtuosic work inspired by folk music from the Shopluk region in Western Bulgaria. With its rich timbres, intricate ornamentation, and demanding technical challenges, this elegant composition was warmly received by the audience.

Cheerful selections like Georgi Tanchev’s "Ergen Dyado" and "Reche Mama" brought a lighthearted close to the evening, delighting listeners with humor and charm. These folk-inspired works, popularized by The Mystery of Bulgarian Voices, reminded everyone of the vibrant soulfulness of Balkan music.

November 22, 2024

Washington DC